The Yellow House

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In May 1888, Van Gogh rented four rooms in a house on Place Lamartine in Arles (southern France). The green shutters in this painting of the square show where he lived. Shortly after moving into the ‘Yellow House’, he sent Theo a description and sketch of his painting of it: ‘it’s tremendous, these yellow houses in the sunlight and then the incomparable freshness of the blue.’

The work, which Van Gogh himself called ‘The Street’, records the artist’s immediate surroundings: he often ate at the restaurant on the left, and the home of his friend, the postman Joseph Roulin, lay just beyond the second railway bridge.

Vincent had finally found a place at the Yellow House where he could not only paint but also have his friends come to stay. His plan was to turn the yellow corner-building into an artists’ house, where like-minded painters could live and work together.

The Starry Night

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Vincent van Gogh painted Starry Night in 1889 during his stay at the asylum of Saint-Paul-de-Mausole near Saint-Rémy-de-Provence. Van Gogh lived well in the hospital; he was allowed more freedoms than any of the other patients. If attended, he could leave the hospital grounds; he was allowed to paint, read, and withdraw into his own room. He was even given a studio. While he suffered from the occasional relapse into paranoia and fits – officially he had been diagnosed with epileptic fits – it seemed his mental health was recovering.

Unfortunately, he relapsed. He began to suffer hallucination and have thoughts of suicide as he plunged into depression. Accordingly, there was a tonal shift in his work. He returned to incorporating the darker colors from the beginning of his career and Starry Night is a wonderful example of that shift. Blue dominates the painting, blending hills into the sky. The little village lays at the base in the painting in browns, greys, and blues. Even though each building is clearly outlined in black, the yellow and white of the stars and the moon stand out against the sky, drawing the eyes to the sky. They are the big attention grabber of the painting.